As artists, we all need a kick in the pants. No matter how passionate or how dedicated we may be, it takes practice and commitment in order to reach that next level. Maintaining that discipline is perhaps the biggest obstacle we face in becoming better photographers. This workshop is designed to guide, stimulate and motivate those who love making pictures, but often find it hard to get out there and shoot.

Through intensive weekly critiques and class discussions, we will explore new ways of going about making pictures while continuing to refine our own existing creative process. Discussions and demonstrations will occasionally focus on different technical aspects, like being resourceful with portable lights, keeping shooting situations simple yet effective and developing the ability to solve visual problems with creative solutions. Most importantly, this class will provide a forum for students to show their work on a regular basis and receive individual feedback from their instructor, their classmates and occasionally from visiting professional artists— feedback that is honest, productive and geared toward the weekly progress of each photographer.

If you’re looking to begin a longterm project, or are in need of a new perspective on your current project, this course is ideal.

Get your creative juices flowing! This workshop aims to reinvigorate the artist in all of us utilizing toys, tricks and techniques such as cross-processing color film, solarization of black and white prints, making your own pinhole camera and much more. On a weekly basis we will go out and shoot creative assignments as a group which will eventually lead us into the darkroom to attempt new techniques in developing. Some assignments will require film, but others will be focused less on the printing process and will allow for digital shooting. If you are looking to have some fun, find a new idea for a project or attempt something out of your normal realm of photography - this course is for you!

To download a printable enrollment form, please click here.

Photography can be a powerful tool for communication and self-expression. This course will foster visual self-expression and help students channel their creativity by introducing them to an array of conceptual and artistic methods in photography. The works of historical and contemporary artists will be discussed to encourage students to articulate their own unique ideas through imagery. Students will learn about “reading” images and apply this knowledge to create photographs reflective of their own “voice.” Relevant areas of exploration include light and form, metaphor, abstraction, sequential imagery, narrative tableau, self-portrait, and more. Students will be encouraged to explore subjects that are personal to them, shooting weekly and bringing their images into class for group critique.

Prerequisite: As this course is conceptual in nature and not a technical class, basic technical knowledge in photography is expected.

Workshop FULL - To download a printable enrollment form, please click here.

This course is designed to help photographers enhance their skills of photographing people at home, in the studio, or out on the street. You will learn how to make compelling portraits in any kind of situation, dealing with subjects of all shapes, sizes, occupations, and personalities. You will learn lighting techniques that are creative, simple, and best of all---portable. Effective ways on how to deal with AND direct your subject will be discussed weekly, as will the best ways to approach and make photographs of total strangers in a wide variety of locations and lighting conditions. Class discussions will include looking at the work of some of today's most successful Fine Art, Editorial, and Photojournalistic "people" photographers. You may work in color or black & white.

This course brings students onto the streets of Boston to capture the pulse of this exciting city. Discussions will cover both the history and practice of street photography and will focus on such topics as approaching strangers, candid, unobtrusive and confrontational shooting techniques, subjective vs. objective imagery, controlling light and exposure on the street and telling the story you observe or choose to create from your surroundings. Assignments will include candid shooting, street portraiture and urban landscapes and will focus on anticipating the moment, developing a sensitivity to lighting conditions and framing the shot. Street Photography is open to both digital and film photographers.

This course picks up where Street Photography I leaves off, bringing students onto the streets of Boston to capture the pulse of this exciting city. Discussions will cover both the history and practice of street photography and will focus on such topics as approaching strangers, candid, unobtrusive and confrontational shooting techniques, subjective vs. objective imagery, controlling light and exposure on the street and telling the story you observe or choose to create from your surroundings. Students will be encouraged to develop their own individual projects to work on throughout the 10 week session. Assignments will include candid shooting, street portraiture and urban landscapes and will focus on anticipating the moment, developing a sensitivity to lighting conditions and framing the shot. Street Photography is open to both digital and film photographers.

Prerequisites: Street Photography or equivalent.

A one-day intensive workshop which explores the art of plastic lithographic reproduction. From this process, we will construct an original photo-based, photo re-constructed image which we will relief print with etching inks on various fine-art papers, ready for hand-coloring.

Required: Students must bring 15+ black & white images, which they will be willing to slice and dice to create a new composition.

Required Supplies: Students must bring several sheets of fine art fiber based paper to the class.

As documentarians, we are in the “point of view” business. How do we tell our stories with integrity, clarity and honesty? Where does personal vision come from and how do you tell a story with your unique point of view? What makes a story valid or worthy? What are the practical considerations and how do we keep a long-term project on track? This is a workshop about telling a story with pictures and having it bear your unique vision. We will explore personal style and vision, the elements of editing, the concept of process and how to solve the basic picture problem. Audio will also be explored.

The goal of this workshop is to develop skills needed to become an effective photo documentarian. The course will generate complex questions for the serious photographer and provide a framework to fulfill future projects. Each photographer will select a project that he/she will photograph throughout the workshop. Weekly critique of the ongoing work is at the heart of this workshop.

Designed for intermediate and advanced photographers, Extended Projects continues the work begun in the Documentary Project workshop.  In this course, we mirror and deepen the development of personal vision and the development of a visual voice.  This is a workshop about telling a story with pictures and having it bear your unique vision. The course will continue to generate complex questions for the serious photographer and provide a framework to fulfill future projects. Each photographer will either continue a pre-existing project or select one that they will photograph throughout the workshop.  Weekly critique of the ongoing work is at the heart of this workshop.

Prerequisite: The Documentary Project

The landscape has been a subject for artists of all types since art has existed. How an individual relates with their surroundings is both personal and universal. Using the camera, we take time to record what we find pleasing or interesting in the world for others to see. Everyone makes landscape photographs when they go on vacation. What separates the good from the great, the great from the transcendent? This class will provide a platform to study the genre of landscape photography and discover new approaches for personal expression. Students are required to bring in images (analog or digital) for group discussion each week. Through weekly slide lectures, analyzing examples, and studying the history of the genre, students will gain a greater understanding of landscape photography and develop and expand their personal style of image-making.

Explore the creative possibilities of the non-conventional camera, from the plastic “toy” Holga to the homemade pinhole. Get back to the basics of film photography, utilizing simplified photographic tools which will allow you to arrive at a poetic and sensitive handling of light as a key element of composition. Discover how a “lack of control” process can result in a sophisticated image.

Required Equipment: Students are required to purchase a HOLGA camera for this course.